Random Access Memory brings together independent bodies of work developed for my diploma project within a shared exhibition concept. Rather than presenting autonomous sculptures, the exhibition establishes a spatial logic in which individual works remain distinct while entering new material and conceptual relationships.

Borrowed from computer architecture, the title refers to a form of memory based on random access rather than linear sequence. The exhibition adopts this principle as a curatorial and sculptural method, allowing handmade paper produced from devalued euro banknotes, laser-engraved marble, sugar, server racks, and digital imagery to be read as interconnected yet non-hierarchical systems.

Rather than constructing a linear narrative, Random Access Memory proposes an open structure in which value, communication, storage, and circulation remain continuously reconfigurable. The exhibition marks an early articulation of the modular working method that has since become central to my practice.

Datenkörper [enabled core]

Datenkörper [enabled kim]

big boy [massive]

pointer

the marble was generously sponsored by HUBER Naturstein

[related work]

Wertschöpfungspapier [coin] + [broken chain]
Read-Only Memory
Datenkörper [operating failure system] II
pointer
big boy [massive]
streaming blueprint [emotionalized]