Central to my practice is the engagement with time. I work with methods that produce slowness and resistance: papermaking, engraving, manual pressing, and archiving. At the same time, I engage with ephemeral, multilayered systems of the present. This friction between duration and transience, between body and code, runs through my work.

My process is modular and often unfolds over years. Series of works develop gradually, narratives shift and interweave, and I am interested in how meaning transforms – not only in the material but also in the perception of the viewer.

My artistic practice investigates socio-economic, cultural, and media power structures – particularly value attribution, information control, and the materialization of fluid systems. I deliberately employ analog methods to make digital phenomena physically and temporally perceptible. I understand my work as a physical space of thought within material – a site where societal systems become visible, tangible, and negotiable.